| Open Access
Alma Mater – Zeitschrift für interdisziplinäre Kulturforschungen 2025, Bd. 2(1) 19-38
Richard Wagner und Jacques Offenbach, zwei deutsche Komponisten des 19. Jahrhunderts, „verfeindete Brüder“?
Danielle Buschinger (Université de Picardie Jules Verne)
| 1 | War and Peace à la Japonaise. Takarazuka Revue’s Interpretation of Giuseppe Verdi’s Aida
Maria Mihaela Grajdian (Hiroshima University) |
| 2 | Magical Realism and Colonial Shadows: Cultural Resistance in Joaquin’s The Legend of the Dying Wanton
Mohammad Hossein Abedi Valoojerdi (University of Perpetual Help System DALTA) |
| 3 | From Earth to Sky, Reality to Dream. The Cypresses in Vincent van Gogh’s Paintings
Chiu Ching-Ching (Ruprecht Karls University Heidelberg) |
| 4 | “Be Like Water”: Adjustment Practices of Tibetan Immigrants to Paris
Charlotte Bhar |
| 5 | The Cybernetic Sublime Gentrification, Ecstasy, and the Celebration of Misunderstanding
Max Kaario |
| 6 | Counter-Hegemony: Takarazuka Revue’s Alternative Hollywood Blockbusters
Maria Mihaela Grajdian |
| 7 | Saberlight Chronicles: Articulations of Metal Music and Fantasy in Fellowship’s Concept Album (2022)
Thales Reis Alecrim |
