| Open Access
Alma Mater – Zeitschrift für interdisziplinäre Kulturforschungen 2026, Bd. 3(1) 34-52
S. 34 - 52 | DOI: https://doi.org/10.29329/almamater.2026.1417.3
Veröffentlichungsdatum: Februar 23, 2026 | Einzeln/Gesamtansichten: 0/0 | Einzeln/Gesamtdownloads: 0/0
Zusammenfassung
Mosthari Hilal is a young visual artist born in Kabul in 1993 and raised in Germany. In 2023, she published her first literary work, which brings together her experiences and reflections on the concept of ugliness. According to her, this concept develops at the boundary between “nature” and “nurture”, inextricably linked to both human physiology and the social and cultural dimension. A person’s appearance is fundamental to their identity, especially in an image-dominated society such as ours. For an artist like Hilal, the concept of beauty is not just a category imposed from outside, but a dimension that has tormented her internally and informs her entire existence as an artist. Her choice to write a hybrid-genre text—somewhere between a picture book, poetry, essay, and autofiction—demonstrates that this discourse is developed not only in content but also in the form. She selects autofiction and self-centered images as her expressive medium both because it allows her to creatively explore her identity and because it entails a profound reflection on authenticity and the nature of literary mimesis. Given the main characteristics of Hilal’s work, this article has two objectives: First, it aims to show how the concepts of beauty and ugliness of Moshtari Hilal are shaped by power dynamics involving gender, postcolonialism, ableism, and today’s social-media culture. To grasp the richness of its conceptualisation, it is necessary to consider it against the backdrop of evolutionary and philosophical aesthetics, postcolonial thought and normalism, from which it originated. Secondly, it aims to highlight the formal hybridity of Hilal’s text, which consists of poems, images and essayistic passages, and to show its connection with the theme of ugliness.
Schlüsselwörter: German culture, Beauty, Ugliness, Autofiction, Postcolonial Aesthetics
APA 7. Auflage
Salgaro, M. (2026). Hässlichkeit/Ugliness (2023) by Moshtari Hilal between Evolutionary Aesthetics and Normalism. Alma Mater – Zeitschrift für interdisziplinäre Kulturforschungen, 3(1), 34-52. https://doi.org/10.29329/almamater.2026.1417.3
Harvard
Salgaro, M. (2026). Hässlichkeit/Ugliness (2023) by Moshtari Hilal between Evolutionary Aesthetics and Normalism. Alma Mater – Zeitschrift für interdisziplinäre Kulturforschungen, 3(1), pp. 34-52.
Chicago 16. Auflage
Salgaro, Massimo (2026). "Hässlichkeit/Ugliness (2023) by Moshtari Hilal between Evolutionary Aesthetics and Normalism". Alma Mater – Zeitschrift für interdisziplinäre Kulturforschungen 3 (1):34-52. https://doi.org/10.29329/almamater.2026.1417.3
Acanfora F. (2024). L’errore. Storia anomala della normalità. Luiss University Press.
Bartalesi L. (2012). Estetica evoluzionistica. Darwin e l’origine del senso estetico. Carocci.
Barthes R. (1982). Camera lucida. Hill and Wang.
Bhabha H.B (2004). The Location of Culture. Routledge.
Benjamin W. (1980). “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.” Gesammelte Schriften edited by Rolf Tiedemann and Hermann Schweppenhäuser, volume I, part 2. Suhrkamp, p. 471-508.
Bloom H. (1995). The Western Canon: The Books and School of the Ages. Riverhead Books.
Bourdieu P., Johnson R. (2011). The Field of Cultural Production: Essays on Art and Literature. Polity Press.
Chaney S. (2022). Am I Normal? The 200-Year Search for Normal People and Why They Don’t Exist. Wellcome Collection.
Cometa M. (2024). Paleoestetica. Alle origini della cultura visuale. Cortina.
Colombo E. (2006). “Normale/anormale: una categoria di analisi o una categoria di pratiche?”. Meridiana, 55, p. 141-159.
Darwin C. (1981). The descent of man and Selection in Relation to Sex. Princeton University Press.
Fanon F. (2008). Black Skin, White Masks. Grove Press.
Dissanayake E. (1999). Homo Aestheticus. Where Art Comes from and Why. University of Washington Press.
Eco U. (2007). Storia della bruttezza. Bompiani.
Eibl K. (2004). Animal poeta. Bausteine der biologischen Kultur- und Literaturtheorie. Mentis.
Gheno V. (2025). Nessuno è normale. Utet.
Gilman S. (1999). Making the body beautiful. Princeton UP.
Gottschall J., Wilson David S.(eds.) (2005). The Literary Animal. Evolution and the Nature of Narrative. Northwestern University Press.
Hilal M. (2023). Hässlichkeit. Carl Hanser Verlag.
Jude A. S. D. (2019). Dead Blondes and Bad Mothers: Monstrosity, Patriarchy. Melville House.
Link J. (2006). Versuch über den Normalismus: Wie Normalität produziert wird. Vandenhoeck & Ruprecht.
Löffler P. (2017). Reading the Canon: Literary History in the 21st Century. Universitätsverlag Winter.
Mellmann K. (2006). Emotionalisierung – Von der Nebenstundenpoesie zum Buch als Freund. Eine emotionspsychologische Analyse der Literatur der Aufklärungsepoche. Mentis.
Menninghaus W. (2011). Wozu Kunst. Ästhetik nach Darwin. Suhrkamp.
Meyer A. (2020). Images of Traumatic Memories: Intersections of Literature and Photography in the. Novels of Riggs, Safran Foer and Seiffert. Vandenhoeck & Ruprecht.
Morris D. (1968). The naked ape. Corgi.
Orlowsky U., Orlowsky R. (1992). Narziß und Narzißmus im Spiegel von Literatur, Bildender Kunst und Psychoanalyse. Vom Mythos zur leeren Selbstinszenierung. Fink.
Rippl G., Winko S. (eds.) (2013). Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte. J.B. Metzler..
Salgaro M. (2023). Stylistics, Stylometry and Sentiment Analysis in German Studies. Vandenhoeck & Ruprecht.
Serafini M. (2024). “La bruttezza è una battaglia politica,” La lettura del Corriere della sera, December 1, p. 17.
Tolentino J. (2019). Trick Mirror: Reflections on Self-Delusion. Random House.
Vangi M. (2005). Letteratura e fotografia. Roland Barthes, Rolf Dieter Brinkmann, Julio Cortázar, W. G. Sebald. Campanotto.
Wells A. (2005). “Moshtari Hilal is unpacking our obsession with ugliness,” The Berliner, 21.03.2025. https://www.the-berliner.com/books/moshtari-hilal-ugliness-interview-new-vessel-press/